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The robe is refolded over the clothesline in the second stage of flipping to avoid drip marks and ensure even color saturation.

20200904_dhammavaro_final_06.jpg Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building.ThumbnailsIn the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.
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