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The patchwork of connected squares and rectangles reflected in the design of a monk's robe was the brainchild of the Buddha himself, who instructed his assistant to sew a prototype that evoked the pattern of rice paddy fields in Magadha, India. -
After sewing is complete, Dhammavaro washes the sanghati with soap and water - this removes any oil his fingers may have left on the garment so that dye will hold to the cloth. -
In the first stage of dyeing, the cloth is soaked in mordant - a solution which will help dye adhere to the garment. After rinsing off excess mordant, the cloth has a slight coloration, seen here. -
Dhammavavro applies mordant to a robe alongside Ajahn Ñaniko, the abbot of Abhayagiri, who dyed a robe at the same time. It's common for a novice to have dedicated help through this process from a more senior monk. -
A robe soaks in the mordant bath, where tone begins to appear on the cloth. -
Dhammavaro pours bark from the madrone tree into a pot of boiling water, where it will "steep" and color the liquid just like tea leaves brewing in a tea cup. -
After straining the madrone bark, Dhammavavro moves the weak dye liquid to another pot, where it will be boiled and reduced. To stay on schedule, he spent four nights' vigil in a cold basement retrofitted with dyeing equipment. -
Dhammavavro separates madrone bark from the initial, weak dye solution before moving it to the reduction bath. -
Dhammavavro stirs madrone bark in the steeping pot as Ajahn Ñaniko looks on. -
Dhammavaro wears heavy gloves to manipulate cloth soaking in the boiling reduction bath, which helps to saturate the garment with dye. Beginning with two 40-gallon barrels of madrone bark, the resulting dye would fill only a single, 10-gallon pot. -
Dhammavavro pulls his jiworn from the final dye solution, where it soaked for two hours. The number and duration of baths determine color density and uniformity in a robe - often cloth must be saturated in dye many times for a rich and even color. -
Dye drips from Dhammavavro's arm as he hangs his jiworn from a clothesline outside the monks' utility building. -
In a process developed at the time of the Buddha, a robe will be flipped in three steps so the natural dye settles evenly on the cloth. This rotation also prevents "racing stripes" as dye drips down the sides. -
The robe is refolded over the clothesline in the second stage of flipping to avoid drip marks and ensure even color saturation. -
In the third stage of flipping, the dye is massaged into the cloth with the hands so that it remains in the center of the robe.